If one looks at groups of people in painting, each protagonist is clearly visible, he is in a choreographed position that fits together well throughout the picture.
Can street photography, without influencing the people, show each individual from a clear perspective? Can the crowd on the street be shown in an aesthetically favorable configuration? How can one of the biggest disadvantages of photography, namely to capture only a moment, be broken? These questions led me to this project.
A single image in this series was not created by a single photograph, but by many, often hundreds of photographs. From this photographic raw mass the final image was created through digital collage.
If one looks at groups of people in painting, each protagonist is clearly visible, he is in a choreographed position that fits together well throughout the picture.
Can street photography, without influencing the people, show each individual from a clear perspective? Can the crowd on the street be shown in an aesthetically favorable configuration? How can one of the biggest disadvantages of photography, namely to capture only a moment, be broken? These questions led me to this project.
A single image in this series was not created by a single photograph, but by many, often hundreds of photographs. From this photographic raw mass the final image was created through digital collage.
